![]() Minutes later Jones is chatting on a phone in Russian, and not long after he’s in Moscow, en route to an unspeakable tragedy. He’s in one of those ominous centers of power - burnished wood, cigarette smoke, crepuscular lighting - sharing his worries about Hitler and Goebbels to a gathering of officious harumphers, including his employer, David Lloyd George, the former prime minister. It opens in the early 1930s with Gareth reporting on his recent trip to Germany. Jones” dramatizes a harrowing chapter in the life of a man long overlooked by history. There, the world is barren and the grain - “Stalin’s gold,” as someone casually calls it - is gone.Ī political thriller with an insistent, steady pulse (the script is by Andrea Chalupa), “Mr. Based on a real Welsh journalist, he is the unassuming hero of this grim, quietly furious movie, which revisits Jones’s 1933 trip to Ukraine, then in the grip of a catastrophic famine. Taking their place is the lonely figure of Gareth Jones (James Norton). In short order, so do most of the animals that Holland scatters here and there - a pretty cat, a few pigeons, squealing pigs, the rabbit adorning a man’s walking stick. The man is George Orwell (Joseph Mawle), who then disappears. Jones, of the Manor Farm, had locked the hen-houses for the night.” He’s unkempt and unidentified but you will likely guess his name when he mentions “talking farm animals” and begins narrating his once-upon-a-time nightmare: “Mr. The director Agnieszka Holland lingers on the image, then shifts to a man busily typing in a house nearby.
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